as obvious as techno and houses heavy influence is on 3024, one of the most consistent reference points has been the machine soul emanating from the city of detroit for the last 30 odd years. we will spare you yet another euro-centric pseudo-sociology lecture but the combination of geography, economics and community has produced music with an influence has consistently reached far beyond michigan state. for our 17th release 3024 is honoured to continue our trek into the analogue wilderness with another artist heavily inspired by the city, berlins near legendary redshape.

limited reissue of this highly sought-after and extremely heavy electro-boogie cut from serena. originally released on tiny nyc label tnt unlimited in 1983, this super-rare gem was produced by the great james terry who was also responsible for other top boogie classics of the era such as >boogieland< by ike strong and true images >keep me dancing<. the instrumental gets all the attention here with super-funky basslines, cool vocoder chorus and ultra-crisp percussion and synths but the vocal is pretty damn strong too. top priority for all boogie fans - dont miss this!

limited edition heavyweight 180g 12 inch vinyl.
once again, another heavy release from the french upcoming label clekclekboom recordings. this one is a pop/club influenced 2 tracks produced by ministre x, the franco-brazilian deejay and co-founder of the label. a very sensual femalish ep with two lovely guest singers: sana and romy. the first track >calling me< featuring the fresh and lovely sana is full of delicate and suave soul vibes mixed up with sophisticated club beat. the second track >just to please ya< featuring mademoiselle romy, takes us to a darker side of emotions, with subtle vocals and down tempo instrumental full of slow and heavy sub-bass. this 2 track ep will take you to the sensitive side of this eclectic label. grab it asap!

a no-nonsense straight for the floor release, the much anticipated after dark ep from mario aureo just dropped! remix action from two of the hottest producers in the game right now, re.you and moodymanc sets this ep up for heavy rotation. first release on colourful for the up’n coming berlin producer sees two beautifully crafted tracks, each with its own intricate personality.>inside the dark< is a beat driven affair with a dirty piano lead, huge drops and a touch of native american spirit to add twist. >but tonight< shares the energy but the groove is more laden for the after hours game (that we all love so much). great disco tom action and a beautifully crafted vox hook is the spinal cord to this one. on remix duties re.you takes >inside the dark< into technoid territory with a sluggish lead, deep dark bass figures and dancing hi-hat patterns. huge one! on the flip moodymanc steps up and treat “but tonight” to a total percussive workout. an irresistible latin infused groover full of sunshine - just in time for miami!

physical records is happy to present their 6th vinyl release: physical driver part 1 & 2 by explosive french duo mik izif & midwooder. two original tracks filled of heavy rhythms and dark melodies, in the mood of their latest output physical records 05.production of those tracks started in canada during mik izif tour and were finallised by midwooder at his studio in nîmes so the ep well fit to be so called: trip france to canada ep.

in advance of the release of dapayk & padbergs third full-length sweet nothings - this time round on stil vor talent - the experienced duo are teasing us with the fluffy cloud ep, which showcases three of the album’s many diverse highlights, while keeping the vinyl lovers happy. the a-side bears the lps title track >sweet nothings<, on which dapayk & padberg’s sound takes a turn as they come knocking with a deep but forceful groover, whose distorted high-hats and trancey synth stabs create a vibe both euphoric and weirdly subdued. the lyrics, moreover, emphasise the duality at the core of many dapayk & padberg tracks as the latter ponders ‘you’re good for me - you’re bad for me’. showing another of the duo’s many facets, ‘backyard’ enchants thanks to mystical lyrics sung beautifully over a deep quasi-dubstep structure. marking the ep’s mid-point, the atmospheric song shines through intricately crafted fragility and is the perfect contrast to the previous and following track, while leaving a strong desire for more stuck in the listener’s mind. on the b-side, ‘fluffy clouds’ does quite the opposite to what its title suggests - rather than being a soft little piece, we are treated to big-room techno fodder à la berghain. a skeletal framework of heavy kicks, dark pads, white noise and dense metallics works relentlessly underneath a cold spoken word, proclaiming >not human, not animal - just a body in motion<. machine funk par excellence.

kyoka - first solo female on the raster-noton roster works as a musician / composer in berlin and tokyo. she has been releasing music since 2008 and is known for her chaotic, direct approach and heavy-rough sound resulting in a broken pop-beat with experimental yet danceable rhythms. ish means around, like or about and reflects her way to be clear by being vague - brightness wrapped in a blanket of obscurity and abstractness. the ep was produced by longtime friend frank bretschneider, a remix was delivered by atomtm to tune the first track hadue for the dancefloor. ryuichi sakamoto underlines the exceptional talent of kyoka: >panic! it sounds like a toy box turned up side down. how can she make such pretty & chaotic sounds!? i love it!<

brand new huxley on the currently on fire hypercolour label, it is modern uk house with a bass heavy twist to it, very much in the same vain as recent scuba productions. on the flip is a remix from the talented eats everything. a fine follow up to the recent kevin mcphee release on this label.

ltd splattered coloured vinyl pressing!
head of his debut lp, adventures of tazz, the torontobased producer drops a 4-track vinyl sampler of outstanding house music for londons tsuba imprint. after debuting on tsuba in 2011 with the superb underground and welcome to dub eps and having spent the previous year releasing two singles for jus ed s underground quality, tazz is already hotly tipped for his fresh outlook on house. the adventures of tazz lp sampler comprises four cuts from the forthcoming album that see the producer deliver synth heavy, emotive and raw vibes in a distinctly detroit influenced style.

one of the labels that caught our eye in the last months was lonesome hero. here their third release and its another quality one. a more then solid house track that kicks off with an intoxicating metalic bassline that hypnotically segues into the rasundas staple groove-heavy drums, with an achingly timeless piano peppered all over the top. on the flip-side, the boys over at campaign of love handle the remix duties. by tracking it out a bit, col have roughed up the original with a combination of strings and 909 snares, while keeping the spirit of the original mix alive with a snippet of its massive bassline.

the dirty dubsters team up with new york dancehall legend screechy dan and rising reggae star whandah the dainty queen , along with sax-man anton petelchyts of fusion wave to produce a big beat reggae fused vocal track. on the remix duties hungarian badman elo of the irie maffia ups the tempo to bring in a big club heavy moobahton remix, jstar then flips the track for a big bass heavy dub version of the track. jinx in dub comes in with a dancehall dnb cross over track and finally dj zetek adds a straight drum and bass remixes to polish off the release.

jay shepheards retrofit imprint reaches its seventh release with this fine ep of old school sounds with an undeniably modern feel. >hefty done me right< begins proceedings with a house-disco hybrid sporting a particularly meaty analogue bassline, 80s electro vocal samples and shimmering pop synths, while >the electric model< marries a distinctly kraftwerk-esque motorik vibe with balearic disco sweeps and horns. on the flip, >one night in puzon< opens with a tense rising string line, broken with a crystalline piano mosaic and deep squelching bass. finally, tw closes proceedings with his own dub take on >hefty done me right<, amping up the electro feel of the original with an mpc cut-up style reworking filled with heavy vocal samples and rolling piano stabs, transplanting the original from its italian roots to 80s harlem.

it is one of our traditions to release remixes of our favourite artists and so we are happy to feature top remix artists for this minilogue remix release on traum.
the >drop the mask of self protection< remix of dominik eulberg is a bit of an adventure! unlike his >diorama< album and maybe because of its elaborate musical challenge, he has taken a time-out to create a serious club format in the true eulberg style witnessed on trapez in the past. so what does that really mean for this track? well this remix kicks off a bit of an relaxed percussive and deep house groove and undergoes in its course quite an explosive transformation! with a lot of skill and finesse mr eulberg pulls the strings with accuracy and makes the transfer of what unfolds to be a heavy big pounding techno rocker! thumbs up this is superb and eulberg at his best.

el prevost returns for his second ep on third ear, following up the money honey ep from a year ago. four more twisted cuts from out of darkest south london. heavy.

2012 will be a good music year! dark descent start of with a release of sei2ure. this well known artist began his career at enzyme records and is now broaden his vision with releases on several labels. we are proud to have him on the label. expect some heavy tunes in a way only he can produce!

sublevels eleventh release features their left-coast warehouse sound. this single contains two mixes. side a:lils keys – subwarp rmx this mix puts you in a deep and twisted headlock with a groovy feeling of main-room acid-house. an energetic remix for those who love to dance and travel through space. this remix was featured at such events as demf 2011, 20 years of planet e (san diego), and tabloid (tokyo).side b:lils keys – e-motion analogue dub – doc martin mix the e-motion dub mix is a long and hypnotic bass heavy dub. doc martin really gives this one an analogue feel. this mix was performed live at panorama bar (berlin), womb (tokyo), and fabric (london).

a product of his surroundings, wasserfall creates organic, electronic music using an array of tools - including a nord modular g2x, a roland tr 909, a roland sp 404 sampler & an apogee ensemble – but dont think for one minute that its all about the gear, and that he is just a technical producer. field recordings feature heavily in his work, and you can often find him patrolling the streets of oslo or berlin hunting for the perfect sound that will convey his ideas within the piece. anders is just as at home creating scores for film as he is producing rhythms for the dance floor, during his time in berlin he created a contemporary soundtrack of the old russian silent-fim classic a man with a movie camera (dziga vertov 1929) which was performed live in berlin, bremen and in bergen. after all this is said and done, the e.p boils down to just one thing - house music for the heads. nothing lightweight, just the heavy goods. long time coming on vinyl, dont miss out on the result of a year of work getting it just right, if you managed to bag the previous #gcw vinyl you know we take absolute pride in our output. a strictly limited pressing. mastered to 180g vinyl by the one & only john dent @ loud mastering.

hailing from dubsteps home town of croydon, wheel & deal records introduce surge. with a signature deep and base driven sound you will come to recognise instantly, trust us when we say, you will be hearing a lot more from this guy. >leech< starts us off with a hauntingly atmospheric vocal track featuring vocalist phxis. sub heavy with marching beats and harmonic tones, this is a perfect mix of angelic vocals, and hard metallic beats. with exclusive support from n-type & walsh. >swaying mantis< sounds exactly as you would imagine. intelligent beats, heavyweight and dramatic, you may have heard n-type starting many of his sets over the summer with this one. unapologetically bass driven with relentless sway this one will get in your head and stay, in a good way!

some seriously heavy drumstep monsters here from daniil kormshchikov aka hectix, a talented young producer from nizhny novgorod, in russia – picked up by john b when he was on tour out there earlier this year. he’s already had releases out on labels such as ammunition, artist recordings, talkin beatz & drum orange. overnight starts with an epic trance build up then hits you hard with absolute killer bass and drums and a phat mixdown. love rader has more screechy synths, and even moar heavy drumstep bizniz, both instant rewinds…
hectix is also working on a remix of >light speed< the title track from john bs new album out in 2012.

classic bob dylan stuff…

after two smoldering releases on figure & spc, roberto bosco is back for his third offering for len fakis spc imprint. a future-classic 4 track techno ep, with more than enough to keep the peak time floors happy, this is big room music at its most intelligent and sensitive. easing us into the thick of it, charming noise takes humming, rumbling bass tones and a metallic clang as its themes. slow burning and readily effective, its a brooding monster for the late hours. i just cant breathe pushes the adrenalin up a few notches in a screaming, white noise attack on the senses. boscos trademark heavy bass rumble and crisp percussion layers hold their own in this reduced killer. were then ready to embark on an emotional voyage as the masterful see the light emerges from the depths with its pushing acid bass and beautiful atmospheric melody. classic strings and synths swirl and build in a tender and heartfelt piece of timeless techno. closing the ep, i was lonely takes the vibe into more reduced, after-hours zones with robertos cool and low-slung take on the smoother sound of futuredeep house.

alland byallo gained global attention producing for definitive labels like poker flat and liebedetail, hosting san francisco s legendary kontrol party and performing at world-famous venues like berlin s panoramabar and watergate, and detroit s annual demf, byallo looks forward to showcasing his more private side through bad animal, expect more organic productions, vocals and raw emotion.
the label s intimate feel is realized in the title track of its inaugural release, >thirsty eyes< an evocative song about a pained, passive aggressive young woman who is oblivious of her own condition. built upon a sinister bass line and raw, soul-drenched vocal, this lo-fi tune builds to an eerie yet frenzied crescendo then explodes into a percussive workout perfect for peak time. remixes from the wildly in-demand techno trio dop. dop drops a spacey, acid-laced, psychedelic monster. finally >open windows< byallo s other original piece, pays homage to the past with a look towards the future, this bass-heavy techno/house tune opens with an old-school build-up then chugs along accented by an ethereal vocal and energetic stabs designed to get the dance floor moving.

with their explosive melting pot of afrobeat, reggae, hip-hop and dancefloor jazz, 10-piece ensemble the strides has already won over a steadfast following in australia. after a lengthy series of gigs that includes supporting afrobeat legend tony allen and becoming a headline act at both the bellingen global carnival and peats ridge festival, this dynamic outfit is ready to launch its new album “reclamation” on record kicks. with a heavy rhythm section and a powerful 3-piece horn section, the strides deliver a captivating blend of funky afrobeat, roots reggae, hip hop grooves, dubbed out beats, and hypnotic rhythms.

say hello to rest! ...the new label of herb lf (westpark unit, gush collective, draft recordings, supafeed) and phil decker (sensual touch recordings)! for a start the two labelrunners are entering their brand new stage in person as their project discoshit. after recently having taken part on the rhythm kings compilation by traveller records, next to ooft, nicholas or leonidas, they now present their debut ep strike a pose! heavy bass dub meets deep disco on the starter strike a pose! with its dubby vibe it stands for the spirit of the time. sound of... raises the pressure with a symbiosis of 80s funk and pure housesound. its getting hot,baby! breakers and househeads agree on deep chords and swinging handclaps on the dancefloor. if roy ayers would do slomo house, it might sound like biwak. crackling jazz warms up the cold club or serves up the perfect pick for a sunrise set. filtermadness and sample patchwork, in the end number one sneaks into the prime time with finesse and pop appeal. on top of that strike a pose! is presented in a stylish cover artwork by elinasolomonov(arte tv).

human woman is the new signing on hfn music, made up of two very promising artists from iceland, gisli galdur (aka galdur) of prolifi c icelandic band trabant, and producer jón atli helgason (aka sexy lazer). coming together in the studio the pair have forged a fantastic fusion of modern electronic pop, with their debut single, ‚delusional‘. the ep release, which will be accompanied by a music video, serves as a teaser for the upcoming debut album, which is planned for spring 2012. taking influences right across the board, the duo have cooked up a sensual, catchy indie-dance track that’s pleasingly reminiscent of the 80s, yet carries a great modern sheen thanks to the production skills of human woman. cinematic, feel-good music for travelling, for friends, for living! denmark‘s wonder kid kasper bjørke is fi rst to get his hands on ‚delusional‘, introducing a straighter groove which leans more towards the slow-housedisco fraternity in this slow-cooking remix. berlin‘s vincenzo then takes it even more cosmic with a bass heavy club mix that maintains the slow tempo yet elevates us to a more hypnotic plain. clean, pure elements greet us in this luxury remix from the emotive house master. zev from wolf & lamb then has his say with his ‚brooklyn beatdown mix‘, breaking up the beats and tripping things out with some real old-school new york vibes.

giueseppe cennamo, head honcho of carillon records and a true gentleman from naples, returns to desolat with 4 inimitable tracks. let your love flow with its infectious minimal groove and mantra-like sample repetition, stomping >dont move<, bass heavy >marimba< which was one of loco dice secret weapons for a while now, and a stumbling >dance till tomorrow< with its spooky shouts – here we have 4 inimitable dancefloor tracks on coloured 12 inch with a label artwork by samitoon

played and supported by samuel l session,angel molina,froward strategy group,norman nodge,max m, mattias fridell,ness,dave ellesmere,paul boex,bryan zentz,xpansul,bcr boys,88uw and more. tom bass is an alias, which is hidden behind an artist already established on the international scene. attic music is a label (vinyl only) who now has his own style well defined, it can afford to make records also different and special as it was the last vinyl. high quality! here we return in the classic style of attic music. this new artist shows two tracks, one on each side. 313 is a classic hypnotic techno. a continuous and relentless rhythm. never heavy and aggressive. how to travel in a train, overcome numerous galleries, sounds that rise and fall.human voices that come and go. dont worry you just closed your eyes! suoni profondi has a syncopated rhythm. the sound is deep. from mid-track sample voice makes everything more harmonious and full of groove. psychedelic and dreamy atmosphere. absolutely its for fans of deep techno sound, on vinyl!

for this 2nd release,we give you the opportunity to grab 5 fantastic trax done by nicholas, new incarnation as soul systemthe brains behind the no more hits imprint is back with one of his biggest 12inch to date ! the ep opens with never gonna be the same,an exquisitely produced track, full of depth,its a melting pot full of sultry vocals,soulful disco samples and an irresistible groove on a2, we get the wonderfull & lushy keep on giving,it sounds to us like a 90s lost deep house classic workout with crisp kicks and pulsing synths & bass.and then on a3 soul beats is an old shool 90s house nugget too that result in guaranteed dancefloor mayhem! b1 comes up with one of the best track hes ever done to us (theme from) soul system, think proto - techno, man parrish, it sounds like an hybrid between hip – hop & electro, killer!and to end on b2, we are again back in the 90s. >everything must change< moves the body on a deeper level with chugging some solid house grooves & some syncopated beats. for anyone who likes deep,analogue synth heavy groove, moodymann, theo parrish, mcde... this ep is clearly for you.

highly recommended! marieu comes back with an amazing solo e.p. on his own label enlightened wax after the worldwide success of his first work, heavily played by the most appreciated underground djs. as usual, this record has been written, mixed and produced only on dusty machines and recorded on juicy magnetic tape. the opening track, >ancient times< is a capturnig fat deep house track with a subtle female chant and space-station pads a2, >heat eninges< is build on an heavy ground shaking bass, a wagging latin piano riff. big claps, and sharp cymbals. funky and relentless, its just an essential choice for every swingin dj. on side b,>radiant< develops on a solid bass drum a filtered house groove making a breach to a charming jazzy piano and a blues voice. a complete feeding for every hungry dancefloor b2, >spectrum<begins with a dark hypnotizing groove enlightened in the middle of the track by an uplifting motorcity pad. striking and suggestive.

on brothers in loves first release, max k. gets right down to business introducing himself and this family project: booming kick drums, thumping toms side by side with sharp hi-hats and staccato claps. machine grooves with sounds as raw as the musical approach of the artist. >losing your cool< builds on a massive kick drum, with a tom groove shuffling the track. it develops into a late summer bloom, which is over as fast as this years berlin summer was – with piercing percussion to remind you that winter is already here! >overdrive<, the first track on the flip, starts as a heavy slow groover with thumping kick, crashing snare and acidic synth lines until a punishing hook enters knocking you upside the head. the second track on the b-side, >indulgence< comes disguised as a stepper with a raw, pulsating analog bass line, but reaches its apex with a whirling synth lead on top of a vocal that could never be classified as your ordinary preachapella.

electronic wunderkind al tourettes reaffirms his position at the sharp edge of the development of technological bass music in the uk. these three tracks are artful hybrids, merging the subtle complexities of electronica with the musclebound power of als bass-heavy electronic heritage. datasette steps up to the plate in reflective, melodic fashion to finish this strange and beautiful ep with a fittingly wrong-footed last word

heavy chicago influenced four-tracker by the other half of morphology (his debut release under nakoradiomies alias).

the tracks blend the best of booth producers, rachmads detroit influence shaped with lauxs dynamic style. the title track viking, is led by a synth that sweeps in an almost hyperventilating rhythm that raising the track with a series of industrial ticks and clicks that flavour the german, dutch and detroit mix. a dark bassline leads the track into its climax where glitchy synths squeak and stretch before the track drops. carlos is a track that bounces with groove. morse-like rhythmic bleeps carry the track cementing the individuality that is created in the ep. awash with sweeping sounds, the track gains a smoother feeling of deep techno demostrating their delicacy. 7tine is a juggernaut with a dark, heavy rhythm, showing the industrial power of the pairs production. flanged distortion scratching like fingernails give the track a tense edge, while simple yet powerful synths steer the ep into an eerie conclusion.

together with internationally-acclaimed reggae artist, jahdan blakkamoore and established stateside lyrical beasts, armanni reign & diggadee mc - trigon & dave gee push the envelope, delivering a massive cross-over dubstep/grime influenced riddim with hip-hop appeal. dirty synths,banging 808 bass and pure nasty bars from these heavy-weight mcs all blend together seamlessly, proving this to be a powerhouse combination and nothing but pure murda!kicking off the remix duties, the man behind the original virus syndicate sound, mrk1, jumps in with an explosive rework, combining the original vocals with an infectious melody, bone-shaking basslines and heavy-rolling drums, and turning it into a head-crushing dancefloor banger.

new kanada welcomes the mole back into the fold with a heavy image two-tracker from deep in the forest. the slo-mo a-side “dog river” is heavy and raw and dripping with calcified disco echoes. tweaking distant bass, tugging percussion and psyched vocal loops. a serious main-floor builder. on the b-side, colin gets tougher and darker and crafts a potential blackout bomb. grinding pads mix with a morphing bassline to form a dubbed out late-night track - made for the mix.

repress of ultra rare detroit electro record, including remixes by peanut butter wolf, maxmillion dunbar, steve summers and legowelt. heavy!
originally recorded in detroit, 1982 by the late danan potts a.k.a. superlife. at that time danan was hanging around the recording institute of detroit where juan atkins was training in production. danan was interested in atkins style of dance music and quickly recorded >go bananas<. bananas was released locally on southern sun records in hyper limited quantity, it is today one of the most sought after underground detroit techno recordings of all time.

the >spectrum riff< ep comes from moscow based beat maker and full time firefighter alexander goryachev, otherwise known as 813. five original tracks bursting with juicy synth lines, retro drum machines and waves of thick sub bass, culminating in a sound that is one part boogie, one part hip hop, one part electro and three parts forward thinking bass music. slugabed (ninja tune) appears on remix duty with a drum heavy workout full of shuffling percussion, deep basslines and strong melodies. 813 has been operating in the much talked about russian beat scene for a couple of years, appearing on error broadcasts >fly russia< compilation and kicking off the rad collective label with the >back in space jungle< ep. he has another ep on rad dropping this year along with other projects and collaborations in the pipeline. as a live act he has supported moby, doom and hudson mohawke. the spectrum riff ep has been a long time in the making, its been worth the wait.

the next release coming out of the roska camp is this smart vinyl-only followup to the roska allstars release. this second instalment brings more of the same versatile movements from some fantastic producers currently leading the way for upfront danceable material. main man roska signs up terror danjah to pull of a smart remix of his track >without it<. its somewhat of a guilty pleasure hearing both artists signature idents in one song, terror with his evil gremlin laugh and roska with his ubiquitous shout out! however its all about the arrangement here as terror reforms those original trumpet sounds and adds some heavy distorted bass. j:kenzo serves up >let it move< which is all out pure electro style with punchy drums and dirty synths, again lending to the surprising nature of this labels output. tickles completes the vinyl only package with >da growler<. drums are tougher than iron and bass harder than rock as tickles blends funky, dubstep and house into his own dance-floor destructive mould. all three records show a different side to the current uk bass and funky scene, yet they somehow could only belong on kicks & snares. a fine package for a burgeoning label.

excellent 4 track vinyl with fantastic deep house. it gets started with >spring loop<, a track that looks to its name both for feeling and production sense. of course that sensuous vocal sample that gets drawn through it wouldnt do the job on its own, but rau knows that too and surrounds it with a warm, humid bassline and his always changing and snapping drums to keep it in the pocket for the whole 5 minutes. even though the groove on the a1 is already heavy for him, he goes deeper yet with >swearing (vinyl version)< that jamaican vocal is something so classic that we wont spoil it here, but the pumping house beat and piano stabs he winds around it give even more poignancy to the lyrical substance… we are pretty sure that by the time he finally echoes the vocal out late in the track there will be some hands in the air for this one

funky and bass-heavy uk garage / breakbeat 4-tracker from the incredible peter riley aka persian.

limited edition of 500 heavy weight 180g 12 inch vinyl.
landing as the second release from the new french label clekclekboom recordings, young newroller coni drops us sensitive, deep but yet powerful tracks with sensual rnb reworks that would make any female moan. combining groovy sophisticated house and naughty/soulful bass on the lead track >luz in pool<, the parisian takes us to a delightful journey where you will be losing yourself. on the flipside, >suma< is mixing up an uplfiting 90s rnb vocal with a very effective uk funky drum line. the laid back g-swagger >crush< favoring a modern half-tempo 808 rhythm with a sweet subtle voice adding to a haunting purple synth coloration. this 3 track ep is full of heaviness and is already listed as favorite by many established big names. this number is not to be missed!

nice price deal !!! two heavy weight tunes, smashers on the dance floor from ray keith.

mensah demonstrates exactly how to smash a big arena event with the harder edge of >your gf likes it ruff<. on the flip delta heavy turn >quad bikes< in to a signature half-time dnb monster!

a one-off release from james and karl here showcasing chunks of their killer live set from a recent london gig. the a-side is basically a brilliantly executed and bass heavy mashup of ruskins classic track work alongside the much loved blunted rhythms of kalons man is the superior animal.in contrast the b-side is a great intro/outro beatless tool.

frucht - only deals with fresh fruits. now the berlin based collective comes up with 4 fresh >best-of-remixes< including well-known techno artists of their closer family. labelhead coeter one and his partner splatter present a smart and straight minimal-heavy-weight. the a-side begins with pure minimal power and ends in complex structures for the floor. on the >fruit side< you can find 2 more clubbombs that show the typical mad sound of frucht. keep an eye on this network of succesful talents!

tough new moves from newcomer boner m on the much loved dont outletalso features sought after subhead track on vinyl for the 1st time techno as it was in the 90s and early 2000s is hard to come across these days.gone are the killer intense riffs and hard beats that did the damage on dance floors the world over.well as usual,sidestepping the current fashions and delivering nothing but great quality off the wall techno music,dont recordings returns to smack the ball right out of the park with a brand new heavy techno 2 tracker cut extra loud for your pleasure.maverick techno legend subhead steps up and delivers intense rave-o-gedden of epic proportions. this ones been doing serious damage via cd and via the with vocals version on tunebox records for the last 2 years and has been the most asked about track of both subhead and label boss jerome hills sets during this time, with constant requests from djs to make it available.on the b-side dont brings you the debut release from a formidable new talent boner m whose track zoidar melds hard techno and disco together with distinct ease, but the results are far from what youd expect of these two genres colliding.less daft punk and more in your face overloaded bass funk. look out for more from this guy in the future.support techno before it becomes extinct!

kowton and tom dicicco, residing in bristol and manchester respectively, make very different music from one another. kowtons seems to come from house, perhaps also electro and garage, often quite slow in tempo and hard to pin down to a specific genre. toms music is techno, bass heavy, melodic, textured and rooted around 125 bpm. with these distinctive styles the idea of a split ep might seem ambitious, but the result is four cohesive but different tracks that show the talents of both artists perfectly in the format of two originals on one side and two remixes of each others originals on the other. tom diciccos original is driven by a low-mid range thick stab and pounding kick drum, littered with intricate but not overbearing hi hat and snare work and some very atmospheric mid range. kowtons is subtle and sparse, low fidelity and plodding, with rattling percusion carrying the tune along. on the other side of the record, kowtons remix of toms original is driven by an enormous bassline, with an off kilter dubby feel to the slow tempo and genre defying tune. toms remix of kowton rounds off the ep with a return to stab driven techno, pulsating, dynamic and trance inducing.

great mark e mixes of a new track by brazilian fusion/ jazz deities azymuth. side a is the west-midlands dj producer mark e’s full length mix that stretches out over 10 and a half gloriously produced chill-wave minutes. mark e brings this natural progression mix to late-night dance floor life drawing upon his wide-ranging influences – rave, early chicago house, industrial house & disco – to produce his quintessential steady-beat rolling loops. the free groove of azymuth combines perfectly with the steady-beat darkness of its re-creator as the hypnotic synths layer upon heavy percussive beats & interspersing breathless mengo vocals. side b is for the clubs, the djs and the heads. two mixes that bring the beats to the fore as the pounding bass surges faster and harder on these dub and beat journeys. limited to 500 copies!

killer follow up from warm sounds - the raw interpreter lives up to his name and delivers 4 cuts of raw analogue power. vinyl only, of course.